I was pretty nice.”ĭJ Jubilee & the Take Fo’ Family, “Jubilee All” (1993) … When ‘Bounce (For The Juvenile)’ came out, I was doing alright. … It was hand-to-hand, but we was making more than the record store.
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I would come out to the club at the end of the week and we would have bags full of tapes. I had a cassette tape that I had to burn and make copies of myself. “I would put out a tape and outsell anybody who was coming out of New Orleans. I would get a few drinks, get in the studio, and record,” Juvenile told Complex. Juvenile, “Bounce for the Juvenile” (1993)ĭJ Jimi’s album included a liquid sing-song rap that would be a breakout performance by a 17-year-old rapper named Juvenile. Opening with a N.W.A interpolation and a Black Sheep sample, “Get the Gat” was an early single that mixed hard-nosed gangstaisms with get-crunk beats.ĭJ Jimi ft. People didn’t want to hear that.” Hitman released only two more songs before he was killed in 1996. We were better at it than any of those other guys, and the positive rap wasn’t poppin’ anymore.
“e was one of the first people I knew who started doing gangsta rap in the bars,” Lil Ya told Narratively. Lil Ya of the early Cash Money crew UNLV sees his presence as transformative. The song, written by a 17-year-old, may have helped popularize the word “bounce” itself. This is a wildly offensive, X-rated shock rap in the mold of 2 Live Crew, the early Rap-A-Lot Records roster or New Orleans’ own Bust Down: Listeners offended by lyrics that are racist, sexist, ableist and graphically detailing sexual assault should avoid at all costs. What if we never would have done that shit and opened that door and let that shit out? You all would have been bored as fuck.” The single’s flipside, “Bitches (Reply)” features a female rapper responding to the Tucker/Irv version: You can hear the opening “all right all right all right” interpolated by Outkast and Project Pat (the latter sampled on Cardi B’s “Bickenhead”).Įverlasting Hitman, “Bounce! Baby Bounce” (1992) “There were two copies, two versions of it.
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“What that song did, that song made everybody get up,” Jimi told bounce archive Where They At. A post-modern pastiche of samples, chants and repurposed hooks from other records, it would take the sound out of Louisiana’s borders, hitting Number 84 on Billboard’s Hot R&B/Hip-Hop Songs chart and spreading to regional scenes across the South. Still, the record was released by Profile, the label that put out the Showboys years earlier.Īfter seeing a local restaurant explode into dancing when Tucker and Irv’s “Where Dey At” came over the radio, industry vet Isaac Bolden recruited DJ Jimi to record a cover. “Where Dey At” uses a woodwind-sounding motif similar to the “Triggerman” melody instead of just sampling “Drag Rap” - making it an unique bounce outlier. Possibly the first and best answer record in a genre full of them. Circulating on an artwork-free cassette called, colloquially, “the red tape” and thrown into rotation on local radio, bounce was born. Said DJ Jimi: “ou had to play ‘Triggaman,’ you had to do that shit for ’bout four hours straight, nonstop, nothin’ else, all night.” With DJ Irv looping the tracks on two turntables and Tucker adding catchy chants for this cassette collaboration, “Drag Rap”‘s xylophone-ish melody ran in dizzying circles – Showboys called the sound the bones, New Orleans called it the bells. The song is sung by Singer's Edge Karaoke.Kevin “T.T.” Tucker says he copped the Showboys’ slept-on single “Drag Rap” at a Sam Goody while visiting New York in 1986 and then “introduced it to the south.” While basically a non-starter for Profile Records and the Queens-based Showboys, New Orleans embraced the bass-heavy tune – soon dubbed the ‘Triggerman’ beat – with a passion. Believe Me (Originally Performed by Lil Wayne & Drake) Vocal Version song from album Believe Me (Originally Performed by Lil Wayne & Drake) Karaoke Version is released in 2014. Listen to Singer's Edge Karaoke Believe Me (Originally Performed by Lil Wayne & Drake) Vocal Version MP3 song.
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